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This exhibition is rooted in the Southern Appalachian region and shaped by my family history there. Through quiet, often intimate images, The Rain Crow explores how landscape shapes identity-not only through physical presence but through generational memory, unspoken knowledge, and the slow accumulation of rituals tied to place. These photographs are not documents in the traditional sense; they are elegies. They seek to hold space for knowing that cannot be fully articulated-only felt, remembered, or passed on.

The Southern landscape is not just a backdrop in The Rain Crow; it is a living presence. It breathes and changes across the images, echoing the emotional undercurrents of loss, belonging, and impermanence. Through careful attention to weather, time of day, crops, and the cyclical nature of life and death on the farm, I sought to render the landscape not as a static view but as an active participant in the story. Each photograph invites viewers to examine what's often overlooked more closely the small, fleeting details that speak to the deeper relationships between people and place.

At the center of this work is my father. His presence-steady, unassuming, and deeply connected to the land-is a grounding force in the series. His gestures, movements, and silence tell the story of place more potently than words. His trust in this process and in me allowed this work to evolve in a profoundly personal way. His life becomes the thread through which broader themes-land stewardship, generational memory, and quiet resilience-are made visible. His life and movement through these familiar environments offered me a lens to explore the deep imprint of place. I am profoundly grateful for the openness and faith that allows the project to unfold with authenticity and depth. This work began the day my mother died on April 7, 2012, and will ultimately be completed upon my father's death.

Ecology, in this sense, is both external and internal. The project is informed by an understanding of environmental interconnectedness and a sensitivity to the fragility of local ecosystems. At the same time, it asks what happens when our memories are rooted in people and places that are disappearing due to climate change, development, the slow erosion of cultural traditions, or simply the process of aging itself.

Rooted in familial ties and the fragile relationship between humans and land, The Rain Crow invites viewers to witness the subtle beauty of impermanence. These images, particularly the installation, offer a space for reflection, remembrance, and awareness-an invitation to consider what we carry, what we're losing, and what it means to be tethered to place.

  • GALLERY: Joel Gallery
  • ARTIST(S): Margaret Holland Adams
  • ON DISPLAY: April 26, 2025
  • THROUGH: August 16, 2025
  • MEDIUM(S): Photography

Highlights from Past Exhibitions

They may be gone from our galleries, but the artistic impact of our past exhibitions are definitely not forgotten. Take a virtual tour of some of the stunning exhibitions that have graced The Bascom's walls, halls, and campus grounds.


THE BASCOM WOULD LIKE TO THANK OUR EXHIBITION SPONSORS


Debi and David Bock
Marty and Dan Boone
Virginia and Mike Campbell
Hillary Cone
Claire and Alex Crumbley
Susan Day
Margaret and Dallas Denny
Lynn DeVault and Glo Ghegan
Martha and Michael Dupuis
Ruthie and Berryman Edwards
Beverly Ellars
Sue Emanuelson, Murphy Townsend, and Gregor Turk
Cathy and Bob Fisher
Marylon Glass

Louree and Bill Greehey
Nancy and Charles Harrison
Kendra and Rick Hildbold
Jo and Jack Hill
Kathleen and Christopher Hohlstein
Maudie and Bill Huff
Gail Coutcher Hughes and T im Hughes
Jane Jerry
Elizabeth and Bill Jump
Ann Klamon
Frank Langford
Dianne and Myron Mall
Marianne and Mark Mahaffey
Heath Massey and John Mitchener

Anita and Larry Maxwell
Diane and Ray McPhail
Melissa and William Meyers
Carol Misner and Ann Huckstep
Charlene and Tony Palmisano
Kathy and Tony Prosser
Nancy and Kevin Race
The Estate of Cary Saurage
Anneli and Robert Thiebaut
Mary Thompson
Marcia and Charlie Weber
Vance and Willis Willey
Leonard and Carla Wood
Ann Wrobleski

For information about sponsorship opportunities, please call: 828.526.4949

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This project was supported by the North Carolina Arts Council, a division of the Department of Natural and Cultural Resources. Learn more at NCArts.org

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 Funded in part by a grant from South Arts in partnership with the National Endowment for the Arts. Learn more at SouthArts.org.

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 Funding is due in part to a Tourism Grant with Visit Highlands, NC. Learn more HighlandsChamber.org